GenreCon 2023

The GenreCon 2023 program is now out! I’m very excited to take part in one of the panels at the 8th ‘GenreCon’ coming up on 18-20th February 2023!

GenreCon is hosted by Queensland Writers Centre and takes place at the State Library of Queensland (with some sessions available online).  The program is their usual fabulous mix across genres: sci-fi, fantasy, horror, historical fiction….

The panel I get to contribute to is on the topic ‘Putting the Sci in Sci-Fi’ and is on Saturday 19th February from 2.30 – 3.30 pm. Really looking forward to meeting many favourite authors at the event, including those on the panel: Bryn Smith, Garth Nix, and Jay Kristoff!!

One hundred ways to get writing …

Start a new page, take another step, ask for help, think again, try again

Take a break, sigh, breathe, lie on the floor, try again

Consult a book, click a link, sketch a diagram, dot some points, try again

Clean the bath tiles, go for a walk, sit, do a jig, try again

Type a word, sharpen a pencil, write a list, make a spreadsheet, try again

Sleep, waste some time, tell a friend, tell a stranger, try again

Dunk a tea bag, brew a coffee, eat a biscuit, eat another, try again

Do a course, watch a how-to video, analyse a show, review a book, try again

Join a group, attend presentations, offer feedback, listen to critique, try again

Write ‘the’ as many times as it takes to get bored, write rubbish, free associate, write a paragraph for a genre you hate, try again

Write more rubbish, make a folder called ‘crap’, make a folder called ‘ideas’, fill the folders, try again

Identify a book you love, pick a paragraph at random, read it aloud, ask yourself why it works, try again

Write a paragraph in the style of a favourite author, do that again for an author your spouse likes to read, do it again for a different author, and another, try again

Look back at your ‘ideas’ folder, list the ideas in order of ‘do-ability’, in order of challenge, in order of excitement, try again

Explore the internet for writing competitions, identify a match with any of your ideas, write the deadline on a post-it-note, stick it somewhere you see every day, try again

Rough out some ideas while telling yourself you’re ‘not really writing’, start writing out some sentences and paragraphs among your rough ideas, keep filling in the blanks, smarten up the rough draft so the sentences make sense, try again

Ban yourself from looking at the damn draft again for at least a few days, congratulate yourself with a treat of your choice, write something that ‘doesn’t matter’ just for fun, go back to your rough draft, try again

Bring your draft to a critique group, read your work while someone reads it aloud, underline where they stumble in their reading, keep notes on the listeners’ feedback, try again

Re-draft, re-draft, re-draft, put it away for a day, try again

Submit, breathe, rest, smile, keep trying.

Great News!

Just wanted to share my good news — I’ve been offered a publishing contract for my sci-fi novel, ‘Grey Nomad’! It’s with Booktopia Publishing (who have expanded from being mainly an online book retailer to publishing as well). After getting a legal contract consultation, I signed on Friday — so lots of champagne this weekend! 

I’ve put up a few posts about this story before, and I’ve kept working on it, encouraged by earlier drafts being shortlisted for the Brio Books Fantastica Prize in 2019, and for the Queensland Writers’ Centre Adaptable program in 2020. Lots of revising and great editing advice has got it to the stage it is now. I know that there’s still a whole lot more polishing to go, but what a joy to be able to undertake revisions knowing that sometime soonish (maybe toward the end of next year????) I’ll be able to share the story itself.

Whose view?

Whose view?

You’ll Thank Me One Day

Version 1 – John, the father’s point of view (written in 3rd person)

‘Let me hear you one more time.’ John took one hand off the steering wheel to wipe the sweat off against his trousers.

‘Jesus, Dad, not again. We’re nearly there.’

John glanced up to the rear-view mirror. ‘For Christ’s sake, Andrew. I told you to put it away.’

Andrew made a show of putting his smart phone in his blazer pocket.

‘And the earphones.’ John waited till Andrew, scowling, complied. ‘Right then. Periodic table. Off you go.’

‘They’re not going to ask me things like that.’

‘Oh, so you’ve done a private school entrance exam before then, have you?’

Silence from the backseat.

‘Well, have you? No. And if you get one of their scholarships, then you’ve got it made, boy. You’ll thank me one day, you know.’

(re-posted from piecesoftayo)

Version 2 – Andrew, the son’s point of view (written in 1st person)

[PING: koolkukumber WTFRU]

Kobe knows where I’m going. He’s just taking the piss because that’s what best mates do. I text back.

[handyandy Crap exam thing]

‘Let me hear you one more time,’ the old man says.

‘Jesus, Dad, not again. We’re nearly there.’

Dad’s eyes squint at me in the rear-view mirror. I know what he’s going to say.

‘For Christ’s sake, Andrew. I told you to put it away.’

See, right again.

[PING: koolkukumber WAJ]

I’d like to think Kobe’s calling my dad a jerk, but I know he means me. But, shit, it’s not my fault Dad wants me to go to a private school. Besides, there’s nothing Dad can do about it once I’m in the interview. All I’ve to do is look like I’m as thick as Kobe.

I quickly text back.

[handyandy FU]

I take my time stowing the phone in my pocket.

 ‘And the earphones. Right then. Periodic table. Off you go.’

‘They’re not going to ask me things like that.’

‘Oh, so you’ve done a private school entrance exam before then, have you? Well, have you? No. And if you get one of their scholarships, then you’ve got it made, boy. You’ll thank me one day, you know.’

Blah, blah, blah. The only thing I’d thank him for is if he STFU.

_______

I wrote these short pieces back in October 2020, when I participated in a great course on ‘Writing Conflict’ led by Cate Kennedy (see my earlier post inspired by this course on Conflict & Dramatic Irony). Another exercise that Cate set us was to write about a scene she described as, “A father and son argue in a car as the father is dropping off the son at school before an important exam”. Then she challenged us to re-write the piece but boost the conflict through altering one or more elements (e.g., changing point of view, increasing time pressure, restricting sentence length). I chose to play around with point of view, and I think it radically changed the power dynamic in the exchange. Which version do you like best?

OUT NOW!

I am very excited to announce that my historical fiction trilogy, The Sisters’ Saga, is now officially released from the confines of my desk drawer to make its own way in the world.

Back in 2015, a box of my husband’s family history records sat staring at me from the kitchen table. The first folder I opened was the lively memoir of Harriet Dowling and it sent me on a journey of research into colonial Sydney and British India. While I stopped on the way to corral what I’d learned into a short biography of Harriet, I knew from the start that she was a heroine to inspire historical fiction, and so that was my destination.

Like all journeys, I’ve lost my way several times, been sidetracked to other places, and struggled to find a way forward at times. My biggest dilemma involved handling the historical ‘truth’ of people’s lives while letting the narrative develop. This is an old chestnut in the world of writing historical fiction, with some writers landing on the truth is paramount side, and others favouring the story. The turning point was when I came to understand that, in fact, I did not know the internal thoughts and motivations of the people who inspired my characters, and that it was a more ‘truthful’ representation to render them as fictional characters with a life of their own.

The practical consequence of this understanding was that I gave all the central characters and some places new names, and this small step was immensely freeing. I did, however, keep the names of well-known historical figures about whom we have a considerable range of of primary and secondary sources of information. Also, in line with common practice in the world of historical fiction, at the end of each volume, I have provided details of the fictional departures from the sources which provided my initial inspiration.

Here’s a short 4 minute audio ‘taster’ of the result, from Volume 1 Maiden Manoeuvres!

Recruited

Here’s the beginning of something that might grow up one day! I’ve been polishing it for a while now–perhaps I need to keep writing?

Recruited

Kyle squinted through a rusted hole in the corrugated iron. The street lay empty in the predawn darkness. Trucks rumbled like distant thunder. Perhaps the Recruiters had met their quota and would go past them.

‘See anything?’ Kegan leant on his shovel; his face hidden in the flickering light from the candle stub. The trench he was digging lay deep in darkness.

Kyle shook his head. ‘Nothing yet.’ He took hold of the shovel, intending to help.

‘Get out of it.’ His father tossed a hessian sack at him. ‘You’d as well use a teaspoon for all the good you’d do digging. Get rid of all this.’ He nodded to the pile of excavated dirt before starting to dig again. He resumed his muttered chant with each thrust into the soil–‘Not my son, they won’t take him, not my son‘–a mantra, lest harm should befall his precious Kegan, whose digging kept pace alongside.

Only a year older than Kyle, Kegan looked to be a man grown. But Kyle’s build came from their sparrow of a mother and, like her, he’d been a victim of the first wave of the Canker. Unlike her, he’d survived, though not untouched. Kyle didn’t need to wonder if his father would go to such lengths to save him from the Recruiters if he was the elder of his sons. He knew the answer.

Shoulders aching, he scooped the loose dirt into the sack on the ground. He carted it out the back, stumbling under its weight. He scattered the dirt in caches among the rusted wire, in between the lumps of broken concrete, desperately trying not to disturb the silence. Every neighbour posed a threat when information was the only currency.

(“Shanty town in Soweto” by eugene is licensed under CC BY-NC-SA 2.0)

If the Recruiters found Kegan and took him–Kyle’s breath caught in his throat and his head spun–then it would be just him and his father. He didn’t know which he feared more–his father abandoning him, as he almost certainly would without Kegan to look after him, or his father staying with him.

He shut his eyes, feeling the cold damp of morning dew on his skin. Slowly, his chest relaxed and the air slid gently down into his lungs. He savoured the sensation, knowing how hard it would be to recall the coolness once the day began its relentless climb into baking heat.

‘Where’s that idiot?’

Jolted back to awareness by his father’s voice, Kyle checked the rubble and dirt one last time in the dim grey of the dawn. The noise of the Recruiters’ trucks growled only streets away.

Back inside, Kegan lay in the trench, his arms crossed corpse-like, and slipped him a wink. Kyle tried to grin back as best he could. The Canker had a vicious sense of humour. Its scars left Kyle’s face a rigid mask, incapable of smiling.

Kegan gave the thumbs-up sign to their father who nodded grimly and slid a flimsy piece of fibro over the top. As fast as his father shovelled on a thin layer of dirt, Kyle frantically patted the earth down. Staggering back to his feet, Kyle threw over their thread-bare rug. The approaching trucks reverberated in the next block.

It was a poor hiding place but it was all they could do. Their hut had only the one room so, if the Recruiters looked in from the doorway, then maybe that would be enough to satisfy them that Kegan had done a runner. He wouldn’t be the first to evade Service. They must be used to it by now.

Kyle stationed himself back at his peep-hole. His father paced.

Seconds later, the trucks turned into their street. Like a bee-hive facing invading wasps, the street instantly swarmed with people rushing from shanty to shanty. Everyone knew the Recruiters preferred dawn raids, but it always came as a shock when the harvesting of eldest sons began.

The engines roared closer. The packed earth beneath Kyle’s bare feet shuddered. A screech and the hiss of pneumatic brakes–only metres from their door.

The back doors of the truck flew open and a ramp thudded to the ground. Helmeted men stamped their way down and fanned out in military formation. The Recruiters’ uniforms were as patched as the city they patrolled. Their headgear was still full faced to hide their identity, even though many of them now resorted to using motorbike helmets.

One of them raised a megaphone, though he could have spoken without it and still been heard through the flimsy walls of the huts lining the street.

‘By order of the Provincial Government, and under the Ordinances of the Recruitment Act of 2063, all people turning 18, are instructed to report for Service. Anyone known to have failed to report will be placed on the Register of Treasonous Persons and, when found, will be shot without trial. Those eligible for Service are hereby called for duty immediately.’ With these last words, the Recruiter tossed the megaphone into the truck. This gesture, more than any words he said, communicated that there would be no second chances.

‘J.M. Abrams,’ he barked, looking at his list.

There came a scraping as a hingeless door was hefted open, and the sound of a woman weeping. From up the street came Jimmy, a scrawny beanpole of a young man wearing only a ragged pair of shorts. He’d left behind his shirt and shoes for his younger brothers, Kyle surmised.

‘D. A. Meecham.’

The tap of Debbie’s stick came down the alley, as she used the soundings to find her way between the rows of shacks into the street. Like Kyle, she was one of the few to survive the Canker, but her eyes had been eaten away.

Kyle almost expected the Recruiters to reject her. When he was younger, they only recruited the fit but, for the last few years, it seemed that they’d take anyone.

Two of the other Recruiters conferred over a list on a clipboard. Kyle drew back from his spy-hole as one of them approached the door.

‘K.G. Zimmer,’ he called out, reading from his list.

Inside the stifling hut, Kyle’s father stared at him. Normally, his father’s gaze skimmed over him as if he were one of the mangy dogs that slunk along the alleyways for scraps. For one mad moment, he thought that his father was asking Kyle what he should do.

As it turned out, his father knew exactly what he was about to do. Without uttering a word, in one long reach of his arm, his father grabbed him, manhandling him toward the door.

‘No,’ Kyle whispered hoarsely, digging his heels into the dirt floor. He glanced back to where Kegan lay imprisoned, unable to help him–as no doubt his father had planned. ‘No,’ he gasped.

‘Yes,’ his father said through gritted teeth.

Kyle’s mind seethed with outrage and fear. ‘It won’t work. What will you do next year when they come looking for me?’

‘That’s next year, son,’ he said.

It would come to him, years later, that was the first and last time his father had called him son.

_____

Stop or I’ll shoot!

I’m approaching the end of my long journey to craft a fictional account of Harriet Blaxland. Over the course of 2021, my plan is to self-publish three novellas which chart the course of her life. In dramatising from the relatively limited sources available, I have necessarily strayed into imagination and, on occasion, downright confabulation (!). See below for a fun extract to whet your appetite.

Note that in the fictional version, I’ve changed the names to make it clear that the story is more ‘inspired by’ than ‘true’: Blaxland/Burbridge, Dowling/Wood, Harriet /Henrietta, Newington estate/Aylesford estate. This extract is written from the point of view of ‘Henrietta’ who is regaling her fellow passengers with the tale nearly twenty years later.

The truth

(as reported on page 2, The Sydney Gazette and New South Wales Advertiser, Thursday 22nd April 1830.

The fiction

‘I am so longing to reach London.’ Mrs Sapsford sallied forth with another conversational topic to engage the attention of Mrs Berkeley.

Mrs Berkeley, kind as ever, obliged. ‘Yes, indeed. I’m looking forward to being able to take a carriage ride through the countryside.’ She closed her eyes. ‘Green pastures, hedgerows … won’t that be something?’

‘And no bushrangers. Papa said,’ piped up the Owens’ boy.

Morgan wondered if he should mention highwaymen but decided not to.

‘Yes, you’re right,’ Mrs Berkeley said to the boy indulgently. Her hand automatically reached out to pat his head, but she rapidly withdrew it. The lice plague was ever in their minds. ‘Why, Lady Wood has first-hand experience of them.’

‘No, not at all,’ she said with a laugh. ‘My sisters were the heroines of the hour.’

‘It’s not like you to miss all the fun, Lady Wood,’ said Mrs Sapsford. ‘Where were you when the robbery was going on?’

Lady Wood ignored her. ‘It is indeed a most amusing tale. Have you not heard about it already, Mr Mayhew? Wasn’t it in the papers, Mrs McPhail?’

‘Oh, yes. Poor Mr Burbridge.’

‘Well, I wasn’t there, of course. I was in the house with my dear mama who had one of her headaches,’ Lady Wood said with a nod to Mrs Sapsford. ‘But I have all the details from my maid, who got it directly from the coachman—’

They all laughed and Morgan wondered, not for the first time, how it was that Lady Wood, the most demanding of servants’ time and energy, could reliably tap that rich vein of gossip.

‘Well, there was our dear papa quietly returning from a day at the races when, shortly after he’d turned into the Aylesford estate, four men sprang out from the bushes and, waving their guns, hauled the coachman down and bound him. Then, holding a pistol to our father’s head, they demanded all the money he had on him. So what do you think our father said to that?’

‘No doubt, not something that could be repeated in present company,’ said old Mr Quigley, clearly drawn into the tale from his corner.

‘Well, my father said he had none about him.’

‘That would’ve earned him a cuff about the ears at the very least,’ said Morgan, in admiration.

‘Well, of course, since it was race day, they’d be sure that a wealthy gentleman would be carrying more than usual. So then, they said.’ And here Lady Wood affected a rough man’s accent. ‘You’d better ’ave a care about wot you’re saying, ’cos we gonna search you and, if we find so much as a sixpenny bit more on ya than wot you said, then we’ll blow your brains out on the spot.’

Even Mrs Sapsford began to laugh.

‘But, no, does my father alter his story?’ Lady Wood continued.

‘No,’ her listeners cried in answer.

‘No, he doesn’t. He says he had a bad day at the races and had not a penny on him. So then, they tell him to strip to the skin. But then he pleads; he is an old man and in very infirm health, and to do so might kill him. And he must have been convincing, because then they fell to arguing with each other about what they should do. All this time, what they didn’t know,’ Lady Wood said, lowering her voice, ‘was that Jack, our stable boy, had hitched himself a ride home on the back of the carriage and he’d hopped off the moment the bushrangers sprang out, and he raised the alarm up at the house.’

Miss McPhail spoke up, asking, ‘But then how did—?’

Lady Wood smiled. ‘Luckily, for my father, we three sisters are all proficient horsewomen. With all the men of the estate yet to return from the races, my sisters rode out to the rescue, and the robbers, intimidated by such a force of gorgons, cravenly decamped post-haste.’

Tea being served meant that the conversation turned to other more mundane matters for a while.

Miss McPhail looked puzzled by the story. ‘I’m still a little confused. Did Mr Burbridge, in truth, not have any money on his person? Is he a gambling man?’ she asked tentatively.

‘Oh, I’m sure his pockets were bulging with money,’ said Lady Wood. ‘It would be so like him to plead poor while all the time secreting a fortune away. I think it’s actually why I liked the coachman’s tale so much. It sums up my life’s experience with my dear papa.’