I’ve been going through a writing lull, so that means that I’ve been making the most of my subscription to Audible. Here’s a brief review my latest find.
‘Treasure Island’ by Robert Louis Stevenson, An Audible Original Drama, adapted by Marty Ross. Length 6 hrs and 26 mins. Performance release date: 17-08-2017 Publisher: Audible Studios
I’d tried reading ‘Treasure Island’ as a child, of course, but never got past the first few chapters. With my writer’s hat on, I can see now why I struggled. The story initially came out in serial form in 1882, so perhaps that explains the long first six chapters to finally get into the heart of the story to set sail for Treasure Island. Even though this dramatised version is an adaptation, I was well and truly over the rum-swilling Billy Bones by the time we heard the sound of Blind Pew’s stick approaching with the doom-laden ‘black spot’. However, this time I stuck with it, largely held by the broad accents of Catherine Tate as Jim’s mother. Her talents alerted me to the usefulness of minor characters in providing humorous commentary on the dramatic action. Another favourite minor character, old Tom Redruth—faithful retainer to the foolish Squire Trelawney—provided a similar commentary on his master in this version.
Despite my failure to finish the book in my youth, the rest of the story was familiar through movies and television. However, none of those versions had illuminated the central theme of the story. Typically, the story is told as a coming-of-age journey for Jim who sails as cabin boy on the Hispaniola commissioned by Squire Trelawny, to find the treasure on the map uncovered by Jim and Dr Livesey (played by another very recognisable actor, Philip Glenister). However, just as pivotally, the story unpicks the threads of greed through the portrayal of both the pirates and the more socially-condoned actions of the characters who represent the higher classes (the Squire and the Doctor).
Throughout this audio adaptation by Marty Ross, it is this social commentary that is emphasised. It is, of course, very much a 21st century ‘reading’ of the text, but I think it gives the story an intensity that illuminates why Jim’s allegiances shift so often by suggesting something beyond simple adolescent uncertainty or gullibility. In this version, the character of Long John Silver is not only frighteningly charismatic in his machiavellian strategies but also the sower of doubt in Jim’s understanding of right and wrong. For example, it is Silver who points out to Jim that the castaway Ben Gunn won’t receive a fair share of the treasure despite finding it and safeguarding it from others because the Squire and the Doctor will take it from him, under the guise of paternalistic benevolence. By the end of the tale, through his relationship with Silver and his experiences, Jim’s moral compass flickers with questing indeterminacy—he has become his own man.
Added note: A version of this appeared in the June newsletter for members of my writing group: Lake Macquarie branch, Fellowship of Australian Writers, NSW.
