Thought provoking reading

As much as I love reading fiction, sometimes you crave something that gives your brain more to chew on. Here are three non-fiction books I enjoyed during 2024.

Wifedom by Anna Funder, Penguin, 2023

Anna Funder has the gift of transforming highly detailed research into a readable whole. Her thesis in this work is that the writer George Orwell and his biographers have largely overlooked or discounted the important contribution of his first wife, Eileen O’Shaughnessy.

As a well-educated women Eileen worked in a variety of jobs during their marriage while at the same time working on Orwell’s drafts, typing and retyping, proofreading, and providing feedback. In particular, Funder argues that one of Eileen’s poem (‘End of the Century, 1984’) written in 1934 dealt with a similar futuristic vision as Orwell’s novel ‘1984’, and that the writing style of his novel ‘Animal Farm’ can be seen as reflecting Eileen’s own wit and humour.

There are of course contrary opinions to that of Funder and, while it’s hard by the end of the book to have much sympathy for Orwell as a man, I think his quality as a writer is undiminished. For me the most compelling parts of the book were the descriptions of Eileen’s courage during their time in Spain during the civil war, and her physical labours and deprivations during their time living in the cold countryside. For a clever and skilled woman who could have taken other life paths, it was hard to understand how she could throw herself on the pyre of his success. He was indeed very fortunate to have her.

Into the rip by Damien Cave (‘How the Australian way of risk made my family stronger, happier … and less American’), Scribner Australia, 2021

I ran across this book through a short YouTube clip from an interview with the author.

The book is part memoir, part commentary on the author’s experience on moving to Australia from America with a young family. Since the family lived near the beach, they were intrigued by the Nippers program run by Surf Lifesaving Australia. Risk, particularly with regard to their children, was something to avoid in their previous life. In Australia, risk was the very thing that their children were being introduced to. The book is a quick and easy read, and offers a fascinating glimpse into ways our distinctive Australian way of viewing the world.

The only plane in the sky: The oral history of 9/11 by Garrett M. Graff  (full cast recording (15 hrs), Octopus Publishing Group, 2019

Every September since the events of 9/11 we are provided with documentaries and memorials. Each year I swear I’m sick of it, but I find myself drawn to it. I think many of us remember where we were when it happened. Watching the events unfold on live television broadcasts seared these distant events into our consciousnesses.

‘The Only Plane in the Sky’ (2019) is an audiobook collection of 500 oral accounts collected in interviews by author, journalists, and researchers on a two year project. The interviews were condensed and edited for clarity, but remain uninterpreted: pure oral history. For the audiobook, in order to achieve the highest audio quality production, the accounts are narrated by actors selected for similarity with the original speaker.

The collection is large and too much to absorb in a continuous way. I still haven’t listened to them all, but the chapter segmentation is easy to follow and I found I could dip in and out to follow where my interest lies. This collection isn’t for everyone, but it is a fascinating resource.

GenreCon 2023

The GenreCon 2023 program is now out! I’m very excited to take part in one of the panels at the 8th ‘GenreCon’ coming up on 18-20th February 2023!

GenreCon is hosted by Queensland Writers Centre and takes place at the State Library of Queensland (with some sessions available online).  The program is their usual fabulous mix across genres: sci-fi, fantasy, horror, historical fiction….

The panel I get to contribute to is on the topic ‘Putting the Sci in Sci-Fi’ and is on Saturday 19th February from 2.30 – 3.30 pm. Really looking forward to meeting many favourite authors at the event, including those on the panel: Bryn Smith, Garth Nix, and Jay Kristoff!!

One hundred ways to get writing …

Start a new page, take another step, ask for help, think again, try again

Take a break, sigh, breathe, lie on the floor, try again

Consult a book, click a link, sketch a diagram, dot some points, try again

Clean the bath tiles, go for a walk, sit, do a jig, try again

Type a word, sharpen a pencil, write a list, make a spreadsheet, try again

Sleep, waste some time, tell a friend, tell a stranger, try again

Dunk a tea bag, brew a coffee, eat a biscuit, eat another, try again

Do a course, watch a how-to video, analyse a show, review a book, try again

Join a group, attend presentations, offer feedback, listen to critique, try again

Write ‘the’ as many times as it takes to get bored, write rubbish, free associate, write a paragraph for a genre you hate, try again

Write more rubbish, make a folder called ‘crap’, make a folder called ‘ideas’, fill the folders, try again

Identify a book you love, pick a paragraph at random, read it aloud, ask yourself why it works, try again

Write a paragraph in the style of a favourite author, do that again for an author your spouse likes to read, do it again for a different author, and another, try again

Look back at your ‘ideas’ folder, list the ideas in order of ‘do-ability’, in order of challenge, in order of excitement, try again

Explore the internet for writing competitions, identify a match with any of your ideas, write the deadline on a post-it-note, stick it somewhere you see every day, try again

Rough out some ideas while telling yourself you’re ‘not really writing’, start writing out some sentences and paragraphs among your rough ideas, keep filling in the blanks, smarten up the rough draft so the sentences make sense, try again

Ban yourself from looking at the damn draft again for at least a few days, congratulate yourself with a treat of your choice, write something that ‘doesn’t matter’ just for fun, go back to your rough draft, try again

Bring your draft to a critique group, read your work while someone reads it aloud, underline where they stumble in their reading, keep notes on the listeners’ feedback, try again

Re-draft, re-draft, re-draft, put it away for a day, try again

Submit, breathe, rest, smile, keep trying.

Great News!

Just wanted to share my good news — I’ve been offered a publishing contract for my sci-fi novel, ‘Grey Nomad’! It’s with Booktopia Publishing (who have expanded from being mainly an online book retailer to publishing as well). After getting a legal contract consultation, I signed on Friday — so lots of champagne this weekend! 

I’ve put up a few posts about this story before, and I’ve kept working on it, encouraged by earlier drafts being shortlisted for the Brio Books Fantastica Prize in 2019, and for the Queensland Writers’ Centre Adaptable program in 2020. Lots of revising and great editing advice has got it to the stage it is now. I know that there’s still a whole lot more polishing to go, but what a joy to be able to undertake revisions knowing that sometime soonish (maybe toward the end of next year????) I’ll be able to share the story itself.

Whose view?

Whose view?

You’ll Thank Me One Day

Version 1 – John, the father’s point of view (written in 3rd person)

‘Let me hear you one more time.’ John took one hand off the steering wheel to wipe the sweat off against his trousers.

‘Jesus, Dad, not again. We’re nearly there.’

John glanced up to the rear-view mirror. ‘For Christ’s sake, Andrew. I told you to put it away.’

Andrew made a show of putting his smart phone in his blazer pocket.

‘And the earphones.’ John waited till Andrew, scowling, complied. ‘Right then. Periodic table. Off you go.’

‘They’re not going to ask me things like that.’

‘Oh, so you’ve done a private school entrance exam before then, have you?’

Silence from the backseat.

‘Well, have you? No. And if you get one of their scholarships, then you’ve got it made, boy. You’ll thank me one day, you know.’

(re-posted from piecesoftayo)

Version 2 – Andrew, the son’s point of view (written in 1st person)

[PING: koolkukumber WTFRU]

Kobe knows where I’m going. He’s just taking the piss because that’s what best mates do. I text back.

[handyandy Crap exam thing]

‘Let me hear you one more time,’ the old man says.

‘Jesus, Dad, not again. We’re nearly there.’

Dad’s eyes squint at me in the rear-view mirror. I know what he’s going to say.

‘For Christ’s sake, Andrew. I told you to put it away.’

See, right again.

[PING: koolkukumber WAJ]

I’d like to think Kobe’s calling my dad a jerk, but I know he means me. But, shit, it’s not my fault Dad wants me to go to a private school. Besides, there’s nothing Dad can do about it once I’m in the interview. All I’ve to do is look like I’m as thick as Kobe.

I quickly text back.

[handyandy FU]

I take my time stowing the phone in my pocket.

 ‘And the earphones. Right then. Periodic table. Off you go.’

‘They’re not going to ask me things like that.’

‘Oh, so you’ve done a private school entrance exam before then, have you? Well, have you? No. And if you get one of their scholarships, then you’ve got it made, boy. You’ll thank me one day, you know.’

Blah, blah, blah. The only thing I’d thank him for is if he STFU.

_______

I wrote these short pieces back in October 2020, when I participated in a great course on ‘Writing Conflict’ led by Cate Kennedy (see my earlier post inspired by this course on Conflict & Dramatic Irony). Another exercise that Cate set us was to write about a scene she described as, “A father and son argue in a car as the father is dropping off the son at school before an important exam”. Then she challenged us to re-write the piece but boost the conflict through altering one or more elements (e.g., changing point of view, increasing time pressure, restricting sentence length). I chose to play around with point of view, and I think it radically changed the power dynamic in the exchange. Which version do you like best?

OUT NOW!

I am very excited to announce that my historical fiction trilogy, The Sisters’ Saga, is now officially released from the confines of my desk drawer to make its own way in the world.

Back in 2015, a box of my husband’s family history records sat staring at me from the kitchen table. The first folder I opened was the lively memoir of Harriet Dowling and it sent me on a journey of research into colonial Sydney and British India. While I stopped on the way to corral what I’d learned into a short biography of Harriet, I knew from the start that she was a heroine to inspire historical fiction, and so that was my destination.

Like all journeys, I’ve lost my way several times, been sidetracked to other places, and struggled to find a way forward at times. My biggest dilemma involved handling the historical ‘truth’ of people’s lives while letting the narrative develop. This is an old chestnut in the world of writing historical fiction, with some writers landing on the truth is paramount side, and others favouring the story. The turning point was when I came to understand that, in fact, I did not know the internal thoughts and motivations of the people who inspired my characters, and that it was a more ‘truthful’ representation to render them as fictional characters with a life of their own.

The practical consequence of this understanding was that I gave all the central characters and some places new names, and this small step was immensely freeing. I did, however, keep the names of well-known historical figures about whom we have a considerable range of of primary and secondary sources of information. Also, in line with common practice in the world of historical fiction, at the end of each volume, I have provided details of the fictional departures from the sources which provided my initial inspiration.

Here’s a short 4 minute audio ‘taster’ of the result, from Volume 1 Maiden Manoeuvres!

Recruited

Here’s the beginning of something that might grow up one day! I’ve been polishing it for a while now–perhaps I need to keep writing?

Recruited

Kyle squinted through a rusted hole in the corrugated iron. The street lay empty in the predawn darkness. Trucks rumbled like distant thunder. Perhaps the Recruiters had met their quota and would go past them.

‘See anything?’ Kegan leant on his shovel; his face hidden in the flickering light from the candle stub. The trench he was digging lay deep in darkness.

Kyle shook his head. ‘Nothing yet.’ He took hold of the shovel, intending to help.

‘Get out of it.’ His father tossed a hessian sack at him. ‘You’d as well use a teaspoon for all the good you’d do digging. Get rid of all this.’ He nodded to the pile of excavated dirt before starting to dig again. He resumed his muttered chant with each thrust into the soil–‘Not my son, they won’t take him, not my son‘–a mantra, lest harm should befall his precious Kegan, whose digging kept pace alongside.

Only a year older than Kyle, Kegan looked to be a man grown. But Kyle’s build came from their sparrow of a mother and, like her, he’d been a victim of the first wave of the Canker. Unlike her, he’d survived, though not untouched. Kyle didn’t need to wonder if his father would go to such lengths to save him from the Recruiters if he was the elder of his sons. He knew the answer.

Shoulders aching, he scooped the loose dirt into the sack on the ground. He carted it out the back, stumbling under its weight. He scattered the dirt in caches among the rusted wire, in between the lumps of broken concrete, desperately trying not to disturb the silence. Every neighbour posed a threat when information was the only currency.

(“Shanty town in Soweto” by eugene is licensed under CC BY-NC-SA 2.0)

If the Recruiters found Kegan and took him–Kyle’s breath caught in his throat and his head spun–then it would be just him and his father. He didn’t know which he feared more–his father abandoning him, as he almost certainly would without Kegan to look after him, or his father staying with him.

He shut his eyes, feeling the cold damp of morning dew on his skin. Slowly, his chest relaxed and the air slid gently down into his lungs. He savoured the sensation, knowing how hard it would be to recall the coolness once the day began its relentless climb into baking heat.

‘Where’s that idiot?’

Jolted back to awareness by his father’s voice, Kyle checked the rubble and dirt one last time in the dim grey of the dawn. The noise of the Recruiters’ trucks growled only streets away.

Back inside, Kegan lay in the trench, his arms crossed corpse-like, and slipped him a wink. Kyle tried to grin back as best he could. The Canker had a vicious sense of humour. Its scars left Kyle’s face a rigid mask, incapable of smiling.

Kegan gave the thumbs-up sign to their father who nodded grimly and slid a flimsy piece of fibro over the top. As fast as his father shovelled on a thin layer of dirt, Kyle frantically patted the earth down. Staggering back to his feet, Kyle threw over their thread-bare rug. The approaching trucks reverberated in the next block.

It was a poor hiding place but it was all they could do. Their hut had only the one room so, if the Recruiters looked in from the doorway, then maybe that would be enough to satisfy them that Kegan had done a runner. He wouldn’t be the first to evade Service. They must be used to it by now.

Kyle stationed himself back at his peep-hole. His father paced.

Seconds later, the trucks turned into their street. Like a bee-hive facing invading wasps, the street instantly swarmed with people rushing from shanty to shanty. Everyone knew the Recruiters preferred dawn raids, but it always came as a shock when the harvesting of eldest sons began.

The engines roared closer. The packed earth beneath Kyle’s bare feet shuddered. A screech and the hiss of pneumatic brakes–only metres from their door.

The back doors of the truck flew open and a ramp thudded to the ground. Helmeted men stamped their way down and fanned out in military formation. The Recruiters’ uniforms were as patched as the city they patrolled. Their headgear was still full faced to hide their identity, even though many of them now resorted to using motorbike helmets.

One of them raised a megaphone, though he could have spoken without it and still been heard through the flimsy walls of the huts lining the street.

‘By order of the Provincial Government, and under the Ordinances of the Recruitment Act of 2063, all people turning 18, are instructed to report for Service. Anyone known to have failed to report will be placed on the Register of Treasonous Persons and, when found, will be shot without trial. Those eligible for Service are hereby called for duty immediately.’ With these last words, the Recruiter tossed the megaphone into the truck. This gesture, more than any words he said, communicated that there would be no second chances.

‘J.M. Abrams,’ he barked, looking at his list.

There came a scraping as a hingeless door was hefted open, and the sound of a woman weeping. From up the street came Jimmy, a scrawny beanpole of a young man wearing only a ragged pair of shorts. He’d left behind his shirt and shoes for his younger brothers, Kyle surmised.

‘D. A. Meecham.’

The tap of Debbie’s stick came down the alley, as she used the soundings to find her way between the rows of shacks into the street. Like Kyle, she was one of the few to survive the Canker, but her eyes had been eaten away.

Kyle almost expected the Recruiters to reject her. When he was younger, they only recruited the fit but, for the last few years, it seemed that they’d take anyone.

Two of the other Recruiters conferred over a list on a clipboard. Kyle drew back from his spy-hole as one of them approached the door.

‘K.G. Zimmer,’ he called out, reading from his list.

Inside the stifling hut, Kyle’s father stared at him. Normally, his father’s gaze skimmed over him as if he were one of the mangy dogs that slunk along the alleyways for scraps. For one mad moment, he thought that his father was asking Kyle what he should do.

As it turned out, his father knew exactly what he was about to do. Without uttering a word, in one long reach of his arm, his father grabbed him, manhandling him toward the door.

‘No,’ Kyle whispered hoarsely, digging his heels into the dirt floor. He glanced back to where Kegan lay imprisoned, unable to help him–as no doubt his father had planned. ‘No,’ he gasped.

‘Yes,’ his father said through gritted teeth.

Kyle’s mind seethed with outrage and fear. ‘It won’t work. What will you do next year when they come looking for me?’

‘That’s next year, son,’ he said.

It would come to him, years later, that was the first and last time his father had called him son.

_____