My favourite reading experience of 2023 was catching up with Emergency Skin (a ‘novelette’) by N.K. Jemsin (audiobook narrated by Jason Isaacs), published by Amazon Original Stories, 2019
Jemsin is an award-winning science fiction writer and this story (only one hour’s listening in audiobook form) shows her at her most skilful. Most stories are written in either the third person (he, she, they, it etc) or the first person (I, we, us), however Jemsin has tackled this story in the second person (you). Unlike other attempts I’ve read doing this, she’s got it to work brilliantly for the purposes of this tale.
We are following a man from another planet who has been sent back to Earth to collect the cell cultures that are needed to keep manufacturing the synthetic skin used to protect the humans on the other planet. However, the story unfolds as the AI implanted in the man’s brain tells him what to do as he goes about fulfilling the mission.
‘We should begin with a briefing, since you’re now authorized for Information Level Secret. On its face, this mission is simple: return to the ruined planet Tellus, from which mankind originates. When the Founders realised the world was dying, they …. Fled to a new world circling another sun, so that something of it – the best of it – would survive. …How brave you are to walk in your forefathers’ footsteps!
No, there’s no one left alive on Tellus. The planet was in full environmental collapse …when our people left. There were just too many people, and too many of those were unfit, infirm, too old, or too young. …so we did the only merciful thing we could: we left them behind.
Of course that was mercy. Do you think your ancestors wanted to leave billions of people to starve and suffocate and drown? It was simply that our new home could support only a few.”
And so the story progresses. We never hear what the man thinks or says but, by the AI’s responses, we know what he is communicating. The AI responses also let us understand what the new world that the man has come from is like – a world where there is only one gender (people now being manufactured), and where a disposable man (like the man in the story) doesn’t have a ‘skin’, he has a ‘composite’ covering and his reward for making this journey to collect skin samples, is to have skin made for him – in the new world only those in power have skin.
My favourite quote is the protest from the AI to the man:
‘Only a few can have everything, don’t you see? What these people believe isn’t feasible. They want everything for everyone, and look at where it’s gotten them! Half of them aren’t even men.”
At one level, we see how the man’s views radically change through the increasingly petulant hysteria of his AI. At a deeper level, Jemsin invites us to realise that to care for each other and the world is not an impossible challenge.
In the last twelve months I have been talking about my sci-fi novel ‘Grey Nomad’ (Brio Books, 2023) non-stop (or so it seems). During the interviews, panel conversations, and interviews I have also learned all sorts of things about my book that I didn’t predict! For instance,
30-something-year-olds love reading about an intrepid 70 year old
Knitters want a copy of the pattern for JT’s scarf (working on it!)
Satirical politics wins over non-sci-fi readers (who knew?)
Some readers come for the humour and some for the science. Lucky for me, the novel has both!
The world of writing festivals is filled with tireless committee members and wonderful interviewers who selflessly give their time to prepare and present these events. My thanks to everyone I had the good fortune to meet over the last year – it’s been a wonderful experience.
Here are a few more highlights to add to those I’ve talked about in this blog before:
This festival invites you to share the friendliness of the Mudgee community with food, entertainment, and of course reading. Sharelle Fellows, a retired history teacher, interviewed me in such an insightful and thorough way I really think she knew more about my book than I did.
This mega book club plays a large part in the community of the northern beaches of Sydney. My mum joined it back in the early 70s, so I was thrilled to be able to speak about her influence on me as a reader and writer when I talked there. Special thanks to Glenys Murray, librarian and beta-reader extraordinaire, for all her support.
Whether it’s art or literature, if it’s independent and local then it fits the mission of this festival. I joined novelist Amber Jakeman (latest novel ‘Summer Beach’) to discuss the phenomenon of ‘cosy fiction’ with Meg Vertigan, author of ‘The Strong Dress’ (Puncher & Wattman, 2023). Our audience agreed with us that just because the story is ‘cosy’ doesn’t mean it lacks punch.
What a legend! Katrina runs ‘Pirate’ Purl’, an independent hand dyed yarn business which produces a colour range that is both beautiful and environmentally sound. Throughout 2023, Katrina volunteered to host my book about knitting-mad Joyce on her sales tables at the many yarn and fibre festivals throughout NSW and Victoria. I can’t thank her enough – though perhaps a sequel could include an indie dyer as a character??!! (stay tuned).
The GenreCon 2023 program is now out! I’m very excited to take part in one of the panels at the 8th ‘GenreCon’ coming up on 18-20th February 2023!
GenreCon is hosted by Queensland Writers Centre and takes place at the State Library of Queensland (with some sessions available online). The program is their usual fabulous mix across genres: sci-fi, fantasy, horror, historical fiction….
The panel I get to contribute to is on the topic ‘Putting the Sci in Sci-Fi’ and is on Saturday 19th February from 2.30 – 3.30 pm. Really looking forward to meeting many favourite authors at the event, including those on the panel: Bryn Smith, Garth Nix, and Jay Kristoff!!
The paperback version of my sci-fi novel ‘Grey Nomad’ is due for release in early 2023, but you don’t have to wait that long — the publisher has released the eBook version ahead of schedule!
Here’s a taster….
‘There, turn left,’ she shouted. ‘Left!’
The caravan hit the side of the road in a grinding flurry of gravel, and grit strafed the windscreen. Bruce wrestled with the steering wheel to stop them rolling. With a jolt, Joyce’s head hit the rest as the car stopped. Dust swirled and only the clatter of her knitting needles falling to the floor rattled the sudden silence.
‘What the hell do you think you’re doing, shouting at me like that?’ he roared. ‘I don’t know what’s got into you lately.’
‘You missed the turn, that’s what,’ Joyce said tersely. ‘The sign was huge—“Viridian Spaceship” in letters as high as a house. How did you miss it?’
Even if you don’t usually read science fiction, I think you’ll enjoy reading this story of Joyce, a stalwart member of the Country Women’s Association, who at seventy years of age gets abducted by aliens and thrust into the middle of an intragalactic war that threatens Earth. You may have heard of the genre of ‘cosy crime’ – well, I think I may just have written a ‘cosy sci-fi’ book. Alternatively, my editor jokes that ‘Grey Nomad’ is a coming-of-age story!
Anyhow, I’d love you to read my novel – if you like it, then it would be really great if you wrote a review for it on Goodreads, and/or on the site from which you downloaded the book (Apple books, Booktopia, Google Play, Kindle, or Kobo).
Have knitting, will travel … in space … with aliens!
I’m very excited to report that my unpublished sci-fi novel ‘Grey Nomad’ was shortlisted in the 2020 Adaptable competition that was run by Queensland Writers’ Centre in conjunction with the Gold Coast Film Festival. I talked briefly about the development of my idea back on 25 February 2019 as the first of many drafts emerged NaNoWriMo.
THE STORY: Surviving an alien abduction will call upon all Joyce’s experience as a long-standing member of the Country Women’s Association.
The 2020 Adaptable competition had 240 submissions and they shortlisted 26 of us for the opportunity to pitch our work to film/tv producers face-to-face during the Festival’s Industry Market Day. However, due to the COVID-19 pandemic they have had to cancel the Film Festival, so they are going to proceed with us doing our pitches online. To prepare us, the Queensland Writers’ Centre have provided us with a free 2-hr workshop on writing a synopsis, and three 1:1 online consultations about developing our pitch before the big day: 16 April. Keep your fingers crossed for me!
You never know what’s going to lead you to a short story. My latest story evolved from a visit to the State Library of New South Wales for a talk on some of the interesting historical artefacts and materials from their collection. During the event, I was intrigued by the story of Frederick William Birmingham, a civil engineer at Parramatta in the 1860s, who designed a flying machine which he unsuccessfully tried to sell to the Americans. He had been inspired by a dramatic vision of a flying vessel which he described as an ‘Ark’, manned by a man-shaped ‘spirit’. Birmingham’s vision of a UFO, long before such manifestations entered popular culture, was compelling. However, his increasing levels of obsession and paranoia meant that he became insolvent and ended his days in the asylum. For a comprehensive account of the primary documents and Birmingham’s life see Chris Aubeck’s ‘Birmingham’s Ark‘.
(Public domain image)
Inspired by this story, I wrote an account of entirely imagined
events of a fictional character, living in the Parramatta asylum in the late
1800s. After some thought (and several rewrites!) I decided to use fictitious
names within my story, since I felt I was departing a long way from how
Birmingham himself would have interpreted his experiences.
It was great news when I learned that my story ‘Asylum’ was awarded First Prize in the 2019 Inaugural Margaret Cech Writing Competition which was run by the Southern Highlands Branch of the Fellowship of Australian Writers, New South Wales. The story appeared in The Writers’ Voice (the bulletin of the FAWNSW) this month and, as the competition allows authors to retain their copyright, I have reproduced the story here.
Hope you like it!
Asylum
by Alison Ferguson
Dr
Williams cleaned his spectacles and, after refolding his handkerchief into his
top pocket, tried again to make out the scribble under the blots of ink that
raced across each page in the dog-eared bundle on the desk before him. He
sighed. It was useless. Perhaps if the light were better? It was too early to
call for an orderly to light the lamp. Rifling
through, he selected a page with relatively fewer crossings-out and smudges and
took it over to the long windows to peruse again in the shaft of afternoon
sunlight. This time he made out a few words: flying machine, rotors, strange alien figures. He sighed again. It
was no use. The lunatic’s account of his visitation was indecipherable and, no
doubt even if he could read the writing, incoherent.
(Parramatta Hospital for the Insane, 1875)
‘Dr
Williams?’ One of the orderlies hovered by the door. ‘Was you wanting to see Mr
Cleary? It’s just that we puts the inmates out in the garden of an
afternoon. ‘elps settle ‘em for the
night, you see.’
Drawing
his fob watch from his waistcoat pocket, Dr Williams considered whether he’d
make the three o’clock coach back into Sydney town if he left now. Caught between going and staying, he shifted
his weight from one foot to the other. If any other colleague but Dr McIntosh
had urged him to delay his return to London solely for the purpose of reading a
patient’s journal, he would have dismissed the notion. Well, he was here now
and, since the journal in question could just as well have been in hieroglyphs,
he’d might as well see the patient in person.
‘Bring
Mr Cleary in to see me. Oh, and,’ he added, ‘when Dr McIntosh arrives, bring
him straight up to join me.’ He felt the tea-pot ‘And some fresh hot water.’
Mr
Cleary must have been waiting just outside the door for he came in directly. He
was a short man, rail-thin and his eyes, wide and staring, looked to be
strangers to sleep.
‘Glad
to meet you. Glad to meet you,’ Mr Cleary said, holding out his hand in
greeting. ‘Dr McIntosh told me about your interest in my discoveries.’
Dr
Williams was taken aback. If it weren’t for his oddly startled gaze, the
patient had every appearance of any sane man meeting another of his professional
class. Mr Cleary was a civil engineer, Dr Williams reminded himself that even a
professional man could lose his grip on reality. He repressed a shiver at the
thought.
‘So,
what are your thoughts on my journal, Dr Williams? Mr Cleary had seated himself
in one of the large leather chairs by the window, the lines in his face now cut
in sharp shadow in the slanting light.
‘I,
I confess I cannot say,’ Dr Williams began. ‘I found the writing difficult—’
‘Ha!
You doctors are usually the ones with the bad handwriting, what?!’ Mr Cleary’s
joviality edged toward a note of hysteria.
Dr
Williams took the chair opposite him and spoke slowly and, he hoped,
soothingly. ‘I’d like to hear your story directly from you, if I may. As Dr McIntosh
told you, I am most interested.’
At
this, Mr Cleary settled back into his chair and, closing his eyes as if to
better remember, began his story.
‘It
was late and my usual nightcap of milk and cardamom had gone cold by the time I
finished reading and retired for the evening. I woke abruptly, coming into full wakefulness
without a trace of lingering stupor. I was seized by a sensation of great energy
and I threw on my coat and walked out of my cottage into the winter night. I
strode off, heedless of where my footsteps were taking me. The streets of
Parramatta were dark and, without any lantern to guide me, it was by the
radiance of the stars sprayed across the heavens that I found my way into the
park. Two points of light emerged and
grew steadily larger and, as they came closer, I saw they were vaporous and
swirling. They hung before me, unsuspended by any means I could discern, and
their shapes reassembled till I perceived that they were two heads, the first
appearing as our Lord Bishop and the second at the Governor of New South Wales.
I began to shake, fearing that I had lost my mind.’
Mr
Cleary stopped talking abruptly and leaned forward. ‘You know I’m not insane,
don’t you?’
‘I,
I —,’ Dr Williams was caught off guard.
‘I’m
only in here for my protection. They are after my discoveries, you see. Dr McIntosh
suggested this would be the safest place.’
‘Of
course, Dr McIntosh is very wise in these matters.’ Dr Williams looked to the door. The orderly
seemed to be taking a very long time to return with the hot water.
Mr
Cleary resumed his reflective posture, and in the same sure tones of one
telling an oft-told story, continued, ‘Darkness, heavy with dew, fell like a
cloak about me and I turned this way and that, unsure of how to return home.
Then came a vibration, a thudding so intense that the beat of my heart leapt to
join its rhythm. How was it that no-one from the town came running out to find
the source? Louder and louder it came until I was upon it, whereupon the noise
fell to a low hum. A cylindrical shape, tapered at both ends, hovered at waist
height above the ground. At its highest
point it would have been perhaps twelve feet; its diameter perhaps twice that.
However, its gleaming surface was what drew my gaze. I longed to touch it, so
smooth did it look, without any visible rivet or join.
Although
it looked seamless, an aperture appeared and a creature such as I had never
seen, nor could have imagined, emerged and beckoned me to follow. It was oddly
humanoid, though its arms seemed disproportionately long. Strangely, as soon as
I saw it, I felt calm and certain: as certain, in fact, as I had ever felt in
my fretful life. I have no memory of how I entered the vessel; for now, it
seemed to me that it must be a kind of ship, though propelled by some mechanism
unknown to me. Once inside, the being
indicated a kind of table, although closed on all sides, and centrally located
before a curved porthole, through which I could make out the dark shapes of
trees in the park. Inlaid within the surface of the table were banks of
brightly-coloured lights and buttons. The creature began to explain something
to me, with some urgency. I could not make out its language, but I recognised
the mathematical symbols it was using. I
realised it was a series of formulae, though unfamiliar to me.’
Mr
Cleary fell silent and it took a moment for Dr Williams to break from the spell
that his story had cast.
‘Ah,
the tea,’ Dr Williams said, clearing his throat, as the orderly re-entered.
Closely
behind him, Dr McIntosh manoeuvred his bulk through the door. ‘Ah, good. So,
you two have got to know one another,’ he said, vigorously shaking their hands.
‘If I might interrupt, Dr McIntosh,’ the
orderly said. ‘It’s time for Mr Cleary’s walk.’
Mr
Cleary opened his mouth as if to object. There were tea-buns on the plate
beside the freshly-primed teapot and, for a moment, Dr Williams feared that Dr McIntosh
would invite the patient to stay.
‘Yes,
yes, can’t be disrupting routine, can we?’ said Dr McIntosh, his arm loosely
draped across Mr Cleary’s back, accompanying him out after the orderly. ‘Safest
time for you to be walking abroad, my good fellow, with these chaps on watch.’
Mr
Cleary shrugged off the doctor’s arm. ‘I’ll be having my notes back before I
leave.’
Dr
Williams shuffled the pages back together. Clasping them tightly to his chest,
Mr Cleary followed the orderly without a backward glance.
Dr
McIntosh, after filling his plate with bun, sat down Mr Cleary’s vacated chair.
‘So, then, what do you make of all that? Extraordinary, don’t you think?’
Dr
Williams sipped his tea thoughtfully before replying. ‘I really don’t know what
to make of it.’
‘Go
on. I know you London chaps are making strides with these sorts of cases. It’s
not everyday that colonials such as myself get to hear any of the latest
thinking.’
‘Well,
I think you dissemble good doctor. I’m quite sure you have read as much of the
new writings in philosophy as I have.
Why, I saw you had a copy of Schopenhauer in the original German on your
bookshelf. Well, all right then, if you
insist.’ He took a breath. ‘If we consider that our experience of the world, as
received through our senses, shapes our perception, then visions such as Mr Cleary’s
might be said to arise from a temporary disturbance of sensation, caused, for
example, by some passing illness. To some extent at least, his vision reminded
me of the common occurrence of hallucinations in cases of fever and the like.’
‘And
yet?’
‘Yes,
you’re right. There’s something that doesn’t fit. He is eccentric in his manner
and certainly excitable in temperament, but it is difficult to consider the man
a lunatic. He is essentially rational and his account of his experience is cogent
and lucid. But, at the same time—’ Dr Williams broke off and, rising to his
feet, returned his empty cup to the tray.
He walked back over to the window and looked down to the grounds, now
bathed in gold in the setting sun.
Dr
McIntosh came to stand beside him, munching on the last of his bun. ‘At the
same time, he’s suffering from considerable paranoia. He is convinced that the
American government—’
‘The
American government?’ Dr Williams’ eyes narrowed. ‘Now, he really must have
lost his reason.’
‘No,
no,’ said Dr McIntosh smiling. ‘There’s a lot of interest in the idea of
developing some kind of machine that can fly. He did indeed take his designs to New York to
show the American government officials there shortly after the events he
described. However, he refused to leave the material with them so they dismissed
him out of hand. He ended up on the streets and it was only through the good
offices of his friends and workmates in the Parramatta office that the funds
were raised to bring him back. He was clearly unfit for work by then, I
convinced him to come here. But governments are interested in flying machines,
you know. The military advantages are obvious. Why, even my own scientific
dabbling in that direction elicited a letter of enquiry from the British
colonial office.’
‘What?
Were they telling you that designing a flying machine wasn’t what they were
paying you a stipend for?’ Dr Williams’ lips twitched.
Dr
McIntosh chuckled ruefully. ‘Well, yes. But it’s going to happen one day. My
own design used steam, but the thing that’s so interesting in the schematic
that our Mr Cleary has drawn up is that some kind of alternative propulsion was
involved.’
‘And
that is, what? You’ve seen the drawings?’
Dr
McIntosh fell silent.
‘Ah,
he doesn’t know or he won’t tell you.’
‘I’ve
seen his sketches but he won’t let them out of his sight. It took every ounce
of persuasion to convince him to leave his journal here for you to read. I
honestly don’t know what’s going on. These strange beings seemed to have
imparted something to him but whether he actually understands what they, or his
own mind, has told him, I don’t know.’
The
two doctors looked down to the garden as the orderlies rounded up the
straggling patients to bring them inside for the night. Finally, only Mr Cleary
was left as the indigo-blue of twilight infused the scene.
‘What’s
that?’ Dr Williams gasped.
Seeping
through the shadows, vapours of mist assembled into a long cylindrical rolling
cloud, too low to the earth to be of the natural world, and moving
independently of the light zephyr stirring the tree branches.
Dr
Williams couldn’t wrench his eyes away to gauge his colleague’s reaction but he
felt Dr McIntosh’s hand grab at his shoulder as if clinging to the physical
world.
The
tiny figure of Mr Cleary below stretched out its arms as the cloud, if cloud it
were, moved to engulf him.
The
two doctors stayed, transfixed, till darkness obscured the scene.
There
was a soft knock at the door.
‘Will
you be wanting to make the night-coach back into Sydney town, gentlemen?’ The
orderly enquired.
‘Yes,
yes,’ said Dr Williams. ‘Nothing else to be done here.’ He turned to his
colleague, ‘Dr McIntosh?’
‘No,
you’re right,’ said Dr McIntosh. ‘We’re all done here. Best to be off.’
Here’s another fascinating rabbit warren to explore in the
writing world. I’ve been to a couple of talks this year that have mentioned ekphrasis and I’m starting to get my
head around it. It’s traditionally a poetry term and the Poetry Foundation
explains it as:
‘… a vivid description of a scene or, more commonly, a work of art. Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning. A notable example is “Ode on a Grecian Urn”, in which the poet John Keats speculates on the identity of the lovers who appear to dance and play music, simultaneously frozen in time and in perpetual motion.” (Poetry Foundation)
For the latest Live Reading run by the Hunter Writers Centre, we were invited to respond to the artworks of James Drinkwater, showcased by the Newcastle Art Gallery. His vibrant paintings, sculpture and mixed media works prompted 25 writers to read out their ekphrastic responses to an enthusiastic audience. Most readings were poems but I was amongst several people who responded in prose.
The artwork that I responded to was titled ‘Surrender – a self portrait 2019’ and it was listed as a ‘mixed media assemblage’. For copyright reasons, I can’t show you a photo and its picture isn’t shown in the catalogue, but perhaps you’ll be sufficiently intrigued to get along to the exhibition (ends 11 August 2019). On the other hand, the following picture (by Mysticartdesign) is free to use so, while it looks NOTHING like Drinkwater’s artwork, it’ll give you a flavour of where my imagination flew. (Be warned – I may have been reading dystopic fiction!)
The Messenger
Novocastrians, I come with news from the Tableland. I know
from your good Leader that I am the first traveller who has made it past the
brigands that beset the road over Barrington to reach your coastal
commune.
My Leader has sent me to ask — nay, implore — you for your
help. He charges me to tell you of our troubles, and seek your aid. He is sure
that, once you learn of the situation, you can but send every able-bodied
fighter to join the massed army he is raising to fight the Threat.
But I go too fast, forgive me. My need is pressing and, in
my agitation, I have failed to undertake those observances as are right and
proper for one who stands before the Sacred Offerings. I do so now, in honour
of our forebears who fought, man and woman, boy and girl, to drive back those
who would try to wrest the last arable land from us. I give thanks to the
landmines that guarded our borders; I give thanks to the missiles that sent the
planes falling from the sky above; I give thanks to the shells that rained like
fire on their ships so that they could not breach our safe harbour. And more
than these, I honour the struggle of those who, faced with the choice of the
white flag of surrender or the black flag of death, picked up their bloody
shields, spears and axes and fought and died so that we, the children of their
children, could build anew. I pledge, with all here present, to continue our
quest to leave our dying Earth and to look to the stars.
We have all made these observances again and again since we
were children and so perhaps we could be forgiven if the words have grown
comfortable in the saying. Our forebears’ struggles seem but tales to tell
around the fire, now that we have food to roast on the spit and skins to keep
the winter chill from our bones. But the threat from the South is real. The ice
has reached the shire of Hornsby and the seas themselves start to heave with
sludge.
I see you shake your heads. What? You think I exaggerate? Port
Macquarie, the last stronghold of the North fell to the Threat barely a Moon
span ago. Only the Tableland stands between us and the destruction of all we
have fought for.
You keep your eyes fixed between your feet, sir. Perhaps you
think that you would do better to defend your own commune rather than risk
leaving it undefended? But think of the Sacred Offerings. Think of the lessons
it teaches us. Only by uniting will we have sufficient force to successfully
hold our ground and complete our quest.
Yes, I swear to you, the Golden Galaxy Voyager is nearing
completion. Only one more section is needed. We are nearly to the top of the
stairs to the stars. Would you have your children’s children say, as they
shiver in their lonely ice caves, ‘if only’?
No. I see it in your eyes. No. A thousand times no. There
will be no ‘if only’. We will not wave the white flag of surrender. We will
fight, together, for the stars.
My ‘sci-fi-lite’ novel, Grey Nomad, was shortlisted on 29 April for the inaugural 2019 Fantastic Prize (Brio Books) – one of only six shortlisted out of 80 entries. (See my post from 25 February this year for a snapshot of what it’s about!)