Recruited

Here’s the beginning of something that might grow up one day! I’ve been polishing it for a while now–perhaps I need to keep writing?

Recruited

Kyle squinted through a rusted hole in the corrugated iron. The street lay empty in the predawn darkness. Trucks rumbled like distant thunder. Perhaps the Recruiters had met their quota and would go past them.

‘See anything?’ Kegan leant on his shovel; his face hidden in the flickering light from the candle stub. The trench he was digging lay deep in darkness.

Kyle shook his head. ‘Nothing yet.’ He took hold of the shovel, intending to help.

‘Get out of it.’ His father tossed a hessian sack at him. ‘You’d as well use a teaspoon for all the good you’d do digging. Get rid of all this.’ He nodded to the pile of excavated dirt before starting to dig again. He resumed his muttered chant with each thrust into the soil–‘Not my son, they won’t take him, not my son‘–a mantra, lest harm should befall his precious Kegan, whose digging kept pace alongside.

Only a year older than Kyle, Kegan looked to be a man grown. But Kyle’s build came from their sparrow of a mother and, like her, he’d been a victim of the first wave of the Canker. Unlike her, he’d survived, though not untouched. Kyle didn’t need to wonder if his father would go to such lengths to save him from the Recruiters if he was the elder of his sons. He knew the answer.

Shoulders aching, he scooped the loose dirt into the sack on the ground. He carted it out the back, stumbling under its weight. He scattered the dirt in caches among the rusted wire, in between the lumps of broken concrete, desperately trying not to disturb the silence. Every neighbour posed a threat when information was the only currency.

(“Shanty town in Soweto” by eugene is licensed under CC BY-NC-SA 2.0)

If the Recruiters found Kegan and took him–Kyle’s breath caught in his throat and his head spun–then it would be just him and his father. He didn’t know which he feared more–his father abandoning him, as he almost certainly would without Kegan to look after him, or his father staying with him.

He shut his eyes, feeling the cold damp of morning dew on his skin. Slowly, his chest relaxed and the air slid gently down into his lungs. He savoured the sensation, knowing how hard it would be to recall the coolness once the day began its relentless climb into baking heat.

‘Where’s that idiot?’

Jolted back to awareness by his father’s voice, Kyle checked the rubble and dirt one last time in the dim grey of the dawn. The noise of the Recruiters’ trucks growled only streets away.

Back inside, Kegan lay in the trench, his arms crossed corpse-like, and slipped him a wink. Kyle tried to grin back as best he could. The Canker had a vicious sense of humour. Its scars left Kyle’s face a rigid mask, incapable of smiling.

Kegan gave the thumbs-up sign to their father who nodded grimly and slid a flimsy piece of fibro over the top. As fast as his father shovelled on a thin layer of dirt, Kyle frantically patted the earth down. Staggering back to his feet, Kyle threw over their thread-bare rug. The approaching trucks reverberated in the next block.

It was a poor hiding place but it was all they could do. Their hut had only the one room so, if the Recruiters looked in from the doorway, then maybe that would be enough to satisfy them that Kegan had done a runner. He wouldn’t be the first to evade Service. They must be used to it by now.

Kyle stationed himself back at his peep-hole. His father paced.

Seconds later, the trucks turned into their street. Like a bee-hive facing invading wasps, the street instantly swarmed with people rushing from shanty to shanty. Everyone knew the Recruiters preferred dawn raids, but it always came as a shock when the harvesting of eldest sons began.

The engines roared closer. The packed earth beneath Kyle’s bare feet shuddered. A screech and the hiss of pneumatic brakes–only metres from their door.

The back doors of the truck flew open and a ramp thudded to the ground. Helmeted men stamped their way down and fanned out in military formation. The Recruiters’ uniforms were as patched as the city they patrolled. Their headgear was still full faced to hide their identity, even though many of them now resorted to using motorbike helmets.

One of them raised a megaphone, though he could have spoken without it and still been heard through the flimsy walls of the huts lining the street.

‘By order of the Provincial Government, and under the Ordinances of the Recruitment Act of 2063, all people turning 18, are instructed to report for Service. Anyone known to have failed to report will be placed on the Register of Treasonous Persons and, when found, will be shot without trial. Those eligible for Service are hereby called for duty immediately.’ With these last words, the Recruiter tossed the megaphone into the truck. This gesture, more than any words he said, communicated that there would be no second chances.

‘J.M. Abrams,’ he barked, looking at his list.

There came a scraping as a hingeless door was hefted open, and the sound of a woman weeping. From up the street came Jimmy, a scrawny beanpole of a young man wearing only a ragged pair of shorts. He’d left behind his shirt and shoes for his younger brothers, Kyle surmised.

‘D. A. Meecham.’

The tap of Debbie’s stick came down the alley, as she used the soundings to find her way between the rows of shacks into the street. Like Kyle, she was one of the few to survive the Canker, but her eyes had been eaten away.

Kyle almost expected the Recruiters to reject her. When he was younger, they only recruited the fit but, for the last few years, it seemed that they’d take anyone.

Two of the other Recruiters conferred over a list on a clipboard. Kyle drew back from his spy-hole as one of them approached the door.

‘K.G. Zimmer,’ he called out, reading from his list.

Inside the stifling hut, Kyle’s father stared at him. Normally, his father’s gaze skimmed over him as if he were one of the mangy dogs that slunk along the alleyways for scraps. For one mad moment, he thought that his father was asking Kyle what he should do.

As it turned out, his father knew exactly what he was about to do. Without uttering a word, in one long reach of his arm, his father grabbed him, manhandling him toward the door.

‘No,’ Kyle whispered hoarsely, digging his heels into the dirt floor. He glanced back to where Kegan lay imprisoned, unable to help him–as no doubt his father had planned. ‘No,’ he gasped.

‘Yes,’ his father said through gritted teeth.

Kyle’s mind seethed with outrage and fear. ‘It won’t work. What will you do next year when they come looking for me?’

‘That’s next year, son,’ he said.

It would come to him, years later, that was the first and last time his father had called him son.

_____

Stop or I’ll shoot!

I’m approaching the end of my long journey to craft a fictional account of Harriet Blaxland. Over the course of 2021, my plan is to self-publish three novellas which chart the course of her life. In dramatising from the relatively limited sources available, I have necessarily strayed into imagination and, on occasion, downright confabulation (!). See below for a fun extract to whet your appetite.

Note that in the fictional version, I’ve changed the names to make it clear that the story is more ‘inspired by’ than ‘true’: Blaxland/Burbridge, Dowling/Wood, Harriet /Henrietta, Newington estate/Aylesford estate. This extract is written from the point of view of ‘Henrietta’ who is regaling her fellow passengers with the tale nearly twenty years later.

The truth

(as reported on page 2, The Sydney Gazette and New South Wales Advertiser, Thursday 22nd April 1830.

The fiction

‘I am so longing to reach London.’ Mrs Sapsford sallied forth with another conversational topic to engage the attention of Mrs Berkeley.

Mrs Berkeley, kind as ever, obliged. ‘Yes, indeed. I’m looking forward to being able to take a carriage ride through the countryside.’ She closed her eyes. ‘Green pastures, hedgerows … won’t that be something?’

‘And no bushrangers. Papa said,’ piped up the Owens’ boy.

Morgan wondered if he should mention highwaymen but decided not to.

‘Yes, you’re right,’ Mrs Berkeley said to the boy indulgently. Her hand automatically reached out to pat his head, but she rapidly withdrew it. The lice plague was ever in their minds. ‘Why, Lady Wood has first-hand experience of them.’

‘No, not at all,’ she said with a laugh. ‘My sisters were the heroines of the hour.’

‘It’s not like you to miss all the fun, Lady Wood,’ said Mrs Sapsford. ‘Where were you when the robbery was going on?’

Lady Wood ignored her. ‘It is indeed a most amusing tale. Have you not heard about it already, Mr Mayhew? Wasn’t it in the papers, Mrs McPhail?’

‘Oh, yes. Poor Mr Burbridge.’

‘Well, I wasn’t there, of course. I was in the house with my dear mama who had one of her headaches,’ Lady Wood said with a nod to Mrs Sapsford. ‘But I have all the details from my maid, who got it directly from the coachman—’

They all laughed and Morgan wondered, not for the first time, how it was that Lady Wood, the most demanding of servants’ time and energy, could reliably tap that rich vein of gossip.

‘Well, there was our dear papa quietly returning from a day at the races when, shortly after he’d turned into the Aylesford estate, four men sprang out from the bushes and, waving their guns, hauled the coachman down and bound him. Then, holding a pistol to our father’s head, they demanded all the money he had on him. So what do you think our father said to that?’

‘No doubt, not something that could be repeated in present company,’ said old Mr Quigley, clearly drawn into the tale from his corner.

‘Well, my father said he had none about him.’

‘That would’ve earned him a cuff about the ears at the very least,’ said Morgan, in admiration.

‘Well, of course, since it was race day, they’d be sure that a wealthy gentleman would be carrying more than usual. So then, they said.’ And here Lady Wood affected a rough man’s accent. ‘You’d better ’ave a care about wot you’re saying, ’cos we gonna search you and, if we find so much as a sixpenny bit more on ya than wot you said, then we’ll blow your brains out on the spot.’

Even Mrs Sapsford began to laugh.

‘But, no, does my father alter his story?’ Lady Wood continued.

‘No,’ her listeners cried in answer.

‘No, he doesn’t. He says he had a bad day at the races and had not a penny on him. So then, they tell him to strip to the skin. But then he pleads; he is an old man and in very infirm health, and to do so might kill him. And he must have been convincing, because then they fell to arguing with each other about what they should do. All this time, what they didn’t know,’ Lady Wood said, lowering her voice, ‘was that Jack, our stable boy, had hitched himself a ride home on the back of the carriage and he’d hopped off the moment the bushrangers sprang out, and he raised the alarm up at the house.’

Miss McPhail spoke up, asking, ‘But then how did—?’

Lady Wood smiled. ‘Luckily, for my father, we three sisters are all proficient horsewomen. With all the men of the estate yet to return from the races, my sisters rode out to the rescue, and the robbers, intimidated by such a force of gorgons, cravenly decamped post-haste.’

Tea being served meant that the conversation turned to other more mundane matters for a while.

Miss McPhail looked puzzled by the story. ‘I’m still a little confused. Did Mr Burbridge, in truth, not have any money on his person? Is he a gambling man?’ she asked tentatively.

‘Oh, I’m sure his pockets were bulging with money,’ said Lady Wood. ‘It would be so like him to plead poor while all the time secreting a fortune away. I think it’s actually why I liked the coachman’s tale so much. It sums up my life’s experience with my dear papa.’

Reading with 2020 vision

2020 was a good year for reading (when we weren’t glued to our screens). Looking back, I find that I chewed through over forty books, either by reading or listening to an audiobook. I confess that I abandoned a few half-way (life in the times of COVID is potentially too short to be bored). However, here are some I’d recommend if you’re looking for something to read during a snap hotspot lockdown.

My top 3 audiobooks of 2020

(judged on both story and narrator)

  • Charles Dickens, A Christmas Carol – read by Hugh Grant who brings the dark ironic tones of Dickens to the fore.
  • Robert Galbraith (JK Rowling), Troubled Blood: Cormoran Strike, Book 5 – read by Robert Glenister. Rowling’s controversial comments meant that this book received critique by people who hadn’t read it. I recommend a read, or enjoy listening to the hard-boiled detective voice of Robert Glenister.
  • HG Wells, War of the Worlds – read by David Tennant in a way that captures the intense psychological struggle of the protagonist in a time of fear and uncertainty. Definitely a story for our time.

My top non-fiction book of 2020

  • Alan Davies, Just Ignore Him. Seeing the funny side of things is the life raft that Alan has used to overcome tragedy and abuse. In this well written memoir, his lightness of touch makes this memoir all the more poignant.

My top relaxers of 2020

  • Jodi Taylor, Doing Time: The Time Police, Book 1 – audiobook read by Zara Ramm. In Jodi Taylor’s series ‘Chronicles of St Mary’s’, the Time Police are always portrayed as the arrogant dunderheads that fearless historians must outwit to save the day. In this new series, Taylor flips our perspective by introducing us to three new recruits to the Time Police – each of whom is uniquely unsuited to the role.
  • Martha Wells, The Murderbot Diaries (4 novellas and 1 novel). Making an android a compelling and sympathetic protagonist is the central achievement of this series. Sardonic humour laces the edges of fast-paced action and an unfolding mystery. Book 5, Network Effect was the latest stellar addition.

Other recommended listens and reads

(alphabetically by author surname)

Ben Aaronovitch, Tales from the Folly: Short Stories from the world of the Rivers of London series – read by multiple narrators

Anne Brinsden, Wearing Paper Dresses. If you liked The Dressmaker by Rosalie Hamm, then you’ll love this story of rural hardship.

Tiny Fey, Bossypants – read by Tina Fey. Finding out what makes comedians tick is always fascinating.

CS Forester, Mr Midshipman Hornblower – read by Christian Rodska. A rollicking tale on the high seas.

John Le Carré, Agent Running in the Field – read by John Le Carré, who turns out to be a dab hand at accents, as well as a riveting writer.

Delia Owens, Where the Crawdads Sing (book). I never thought I could be so interested in marsh wildlife. Intensive botany lesson embedded in a compelling story.

Michelle Paver, Wolf Brother – read by Sir Ian McKellen. This is an old-fashioned tale of an American Indian boy coming to manhood and I loved every minute – entranced by McKellen’s ‘tell me a story’ voice.

Andy Weir, The Martian – read by Wil Wheaton. Seen the movie? Now read the book. Originally, I planned to read it in print, but I’m glad I opted for the audiobook. I think I would have skimmed the technical details in print, but they form a mesmerising rhythm that builds the believability of events when read aloud.

On to 2021 …

Covid Corpse*

‘And another death at Sea Vista Nursing Home,’ Inspector Bill Taylor said, reaching for the hand sanitiser as he finished up the morning briefing.

Sarah Ryan and her fellow officers began to rise from their scattered seats, giving a perfunctory groan. In these days of COVID-19, one more death in a nursing home — even one that had been so hard hit as Sea Vista — wasn’t news. And besides, thought Sarah, it was just another old person.

‘Sergeant Ryan,’ the Inspector beckoned her over. ‘This one needs a quick look-see.’

Sarah approached only as far as the mandated 1.5 metre mark. She knew how germ-phobic the Inspector was at the best of times. The betting pool was growing that he’d be wearing a full hazmat suit to work by the month’s end.

‘The one at Sea Vista? Why me?’ Sarah tried to make her question sound less of a whine. It wasn’t the risk of catching the virus. It was the smell. ‘I mean, Jack’s free.’ She gestured futilely in the direction of her colleague as he made a speedy exit.

‘As are you,’ said Inspector Bill Taylor,  ‘And besides, you need the experience. You haven’t done a possible homicide yet, have you? They’ve got themselves a body in the library. The bloke’s heart probably just gave out. I wouldn’t be bothered usually, let alone now with them all going down like nine-pins,’ the Inspector said, continuing to work the sanitiser into his chafed hands.

At the mention of homicide, Sarah’s rising rebellion stuck somewhere in the region of her throat. She took a deep breath. Her heart was pounding uncomfortably as if her ribs were closing in. Stop being ridiculous, she told herself. It’s just the smell. Come on, it’s not as if you haven’t smelled worse.

It didn’t help.

It wasn’t just the smell. The cold chicken flesh of the hand gripping hers.

 ‘But the Superintendent’s fielding complaints from some nutter whose mother’s in there,’ he continued. ‘Keeps threatening to go to the press about a serial mercy killer on the loose. But look, don’t go getting ideas, just focus on the body in the library. Take some statements, do the report and keep the media off our backs. You’re good with the oldies. Wasn’t that grandmother of yours in a home?’

The words hung uncomfortably in the air between them.

The fug of soiled sheets. Windows grimed with years of stale air. The rasping laboured rattle of death.

Sarah turned on her heel to go. There was no point in arguing. She’d go in, talk to the manager, have a quick look and be out of there before the day’s end. No need to talk to anyone of the old people. They’d likely all be demented anyway.

‘Oh, one more thing,’ said the Inspector. ‘There’s a no visitor rule. COVID safety and all that. If you need more than a day, then you’ll be there overnight. Pack a bag.’


* (I’m very pleased to announce that this story of mine won first prize in the Wyong Writers pandemic short story competition, December 2020)

The Body in the Creek

(I wrote this short bit of fun as a murder mystery exercise in our writing group recently.)

The Inspector and I attended the funeral. Old world policing he called it. Inspector Pollock was the last of his kind. Show a bit of respect for the dead, he said, whether she was an old bat or not. And besides, we hadn’t managed to crack the case yet — accidental death or murder? Maybe we’d get lucky and spot the perpetrator lurking in the back pew. But this wasn’t TV. The best I could hope for was a bite to eat and a pint at the Bowlo afterwards to drown our sorrows.

Her body had been found caught amongst the reeds behind the Valentine Bowling Club at the mouth of Sheppard’s Creek. The trees behind the electricity sub-station meant that she’d been in the water for days, and any physical evidence at the scene had been obliterated by the East Coast Low that had uprooted half the trees in the park. I pitied the council workers who’d spotted her on the opposite bank when they were in the middle of their clean up. By all accounts she’d not been much to look at when she was alive, and death hadn’t helped matters. The casket was closed.

I’d expected that it’d be the two of us and the funeral celebrant, but the chapel was packed. From the details in the coroner’s preliminary report, the body matched the description of the bag lady who haunted Croudace Bay Dog Park, shuffling along, head bent in the search for litter, her face shielded by an old straw hat, the brim falling down either side. She’d scoop up discarded bags of dog shit as readily as empty cans and used condoms around the skate park. Witness statements described her as ‘outspoken’ or ‘direct’. If she’d still been alive, I’d bet my drinking money that they’d call her ‘rude’ or worse.

Looking around, I saw the mourners were a mixed bag. It looked like everyone who frequented the park had come along. A lot of grey heads, but families too, with the mothers trying to shush their unruly children, while manoeuvring their strollers out of the way. A few wore lycra, making a clatter parking their bikes at the back of the chapel where they could keep an eye on them. Some were skinny, muscles and tendons rippling even as they picked up the flimsy order of service. Others had to squeeze their bulk between the pews, and struggled to their feet when it came time to sing.

As the last off-key notes died away, the conveyor belt cranked into gear and the coffin retreated behind faded curtains. Amongst the chatter and bustle of people headed back out into the sunlight, and my attention was caught by throaty smoker’s chuckle.

‘You think you copped a serve from her? You ought to have heard what she said to the yummy mummies, not to mention the MAMILs. And it’s not as if I asked her to pick up my butts, now is it? She won’t be telling me off no more for having a quick ciggie behind the Club. Fire hazard, my arse. Got what was coming to her, I reckon. Ashes to ashes.’

Coughing broke the woman’s rant. She scrabbled for her cigarettes from her chef’s jacket.

I caught Inspector Pollock’s eye and, nodding, he joined me by the woman’s side, and offered her a light.

It was looking like it might be a while before I got that pint.

Conflict and Dramatic Irony

Studying English Literature at school has left me with rising anxiety whenever I encounter the terms irony, sarcasm, satire and paradox. Can I tell the difference? Does it matter? Resources permeate the internet (see Masterclass, Literary Devices just for starters).  However, all I come away with is that a good tale involves slippage between what characters or readers expect and what transpires.

I was faced with these issues lately when I did the online course ‘Writing Conflict’ led by Cate Kennedy (through Writers NSW).  Over a very intense week, we engaged with lively talks by Cate, well-targeted written explanations, and a series of writing exercises designed to push us out of our comfort zones. My motivation for doing the course was a dawning realisation that the therapist in me kept resolving conflict for my characters rather than using it to drive the story forward. Before the course, I had concentrated on building conflict in a narrow way, mainly involving characters opposing each other verbally or physically. However, Cate’s course widened the scope to integrate dramatic irony (and the rest of the team!) so that it provides the web within which the tale sits. As soon as a specific moment of conflict occurs within one strand, the vibrations resonate through those mismatched expectations.

Netflix 'Criminal' UK, Season 2
(from Netflix, ‘Criminal United Kingdom’, Season 2)

A great example of this kind of writing is the Netflix series ‘Criminal’, where all the action is confined to the police interrogation room and its observation room (with occasional forays into the corridor for moments of dramatic relief) — see The Guardian for a recent review. As a story, each episode provides an excellent example of William Goldman’s maxim for storytelling: arrive late and leave early, i.e. we head straight into the interrogation/interview of a witness/suspect and leave the moment the detectives have uncovered the truth. Of course, the police interrogators’ goals are fundamentally at odds with those of the suspect or witness. However, more interesting is watching the characters on both sides of the one-way mirror say one thing and mean another. Our privileged position of watching from both sides ramps up the tension. We know things that the interrogators and/or the suspects/witnesses do not. Watching the suspect/witness make assumptions about where the line of questioning is leading is riveting.

In our writing course, we were invited to write a short scene where conflict arises through the mismatch between characters’ perceptions. Here’s my response to the task.

The Good Lecturer

Brent Thwaites, BA, PhD, MAMS, brushed his hands against each other, freeing his fingers of chalk dust. That’d show the inspector, or quality assurance officer or whatever they called him. No-one could question his lecture preparation now. His eyes raked across the densely packed equations and diagrams that covered every inch of the board. No smart alec student would catch him off guard this lecture.

The students drifted in, filling the seats from the back. He peered at their faces, trying to spot which might be that of the inspector. Possibly he’d sit with the usual mature-aged students perched at the front, already scribbling notes. Three flashes from the back. A student with a James Dean swagger was moving his iphone in a steady panorama, taking in the notes from the board. No wonder students were so abysmal these days. Had no-one ever taught them the point of notetaking? He shrugged as if to say, students these days, to the mature-age students.

At precisely five minutes past the hour, he commenced the lecture, not waiting for the packed lecture hall to fall quiet.

‘Dr Thwaites?’

The students’ heads twisted to view who had dared break into his train of thought. From their sly grins, he realised a hand had been waving for some time.

‘Yes?’

‘This is all in the text book, right?’

‘Of course,’ he said, picking up a stick of chalk and underlining where he’d written the relevant page numbers on the board. ‘All this,’ he stabbed at the board, ‘is absolutely up-to-date.’ The chalk snapped, with a shriek of protest.

‘So why do we need to be here?’

A mutter rippled through the hall.

‘Because young man,’ he said with deliberation, ‘without full attendance marks, you will fail.’

With silence effectively restored, Brent Thwaites continued the lecture to the end.

As the students rushed for the exit, a girl approached, her arms cradling a clipboard.

‘If I might have a moment of your time, Dr Thwaites.’

‘Certainly, young lady, what is it you didn’t understand?’

She placed her clipboard on the lectern. ‘Allow me to introduce myself,’ she thrust out her hand. ‘Associate Professor Judy Kingbury, from the PVC Teaching & Learning, quality assurance division.’

Her hand was smooth and cool. He wished he’d wiped away the last of the chalk.

‘So that’s my inspection over and done with,’ he said. His voice echoed in the now empty room.

‘Not quite over, I’m afraid.’ She looked through the notes she’d made on her clipboard. ‘Tell me, how well do you think that lecture met the learning objectives?’

‘Very well. Full attendance, as you saw. That’s very rare these days, as I’m sure you’re aware. And I got across all the information clearly,’ he gulped for air, ‘using um, written support material, and as you saw, there weren’t any questions.’

Her eyes softened in sympathy before she let the axe fall.

(by Alison Ferguson, 3 October 2020)

Slash & Burn (aka Editing)

You know that moment when you think you’ve polished a piece of writing to perfection? Savour it, because the next time you read over it, you’ll wonder how you missed all those clumsy word choices, awkward sentence constructions, and frank errors.

I’ve been immersed in editing two of my ‘works in progress’ over the last few months and have discovered the joys of automated editing tools. These computerised tools use complex algorithms to highlight aspects of your writing which may need attention.

Of course, word processing programs like Word do this to some extent, e.g., underlining questionable grammar and typos in red. But these automated editing tools do much more. For a review of six popular tools (After the Deadline, Autocrit, Grammarly, Hemmingway Editor, ProWritingAid, Word Rake) see: https://thewritelife.com/automatic-editing-tools/. They all offer free trials, and most provide a free version, with the option to upgrade at a cost.

The tool I have been using is Autocrit and it’s teaching me a lot about my writing habits. For example, long paragraphs, repeating words, and too many fillers (most notably, ‘that’). Yes, it does get tedious, but I think the end result is successfully moving from ‘polished’ to ‘burnished’.

A PITCH!

Have knitting, will travel … in space … with aliens!

I’m very excited to report that my unpublished sci-fi novel ‘Grey Nomad’ was shortlisted in the 2020 Adaptable competition that was run by Queensland Writers’ Centre in conjunction with the Gold Coast Film Festival.  I talked briefly about the development of my idea back on 25 February 2019 as the first of many drafts emerged NaNoWriMo.

THE STORY: Surviving an alien abduction will call upon all Joyce’s experience as a long-standing member of the Country Women’s Association.

Here’s a taster — https://www.facebook.com/qldwriters/videos/290383195277942/

The 2020 Adaptable competition had 240 submissions and they shortlisted 26 of us for the opportunity to pitch our work to film/tv producers face-to-face during the Festival’s Industry Market Day. However, due to the COVID-19 pandemic they have had to cancel the Film Festival, so they are going to proceed with us doing our pitches online. To prepare us, the Queensland Writers’ Centre have provided us with a free 2-hr workshop on writing a synopsis, and three 1:1 online consultations about developing our pitch before the big day: 16 April. Keep your fingers crossed for me!

CORRECTED VERSION

An updated version of the biography of Lady Dowling which I published in 2017 is now available. See my correction to my previous ‘just released’ post. The updated version no longer includes the image, but is otherwise unchanged (and hence wasn’t required to get a new ISBN or publication date).

Interested in a copy? The paperback version is currently $25 from Barnes & Noble Australia, and the ebook is currently free if you are using ‘Kindle Unlimited’ with Amazon Australia.